The Counterfeiters (Les Faux-Monnayeurs in French) is a 1984 French film directed by André Téchiné, based on the 1925 novel of the same name by André Gide. The film tells the story of a group of young people in the 1920s who are exploring their sexuality and identities while dealing with familial and societal pressures.
Bernard, who discovers he is a bastard after reading a letter from his mother, runs away from home and seeks refuge with his friend Olivier. The two boys spend a night together, sharing their fears and desires. Olivier, who has been experimenting with his sexuality, tells Bernard about his recent visit to a prostitute, and how he was disappointed by the experience.
The plot thickens when Bernard steals the suitcase of Edouard, Olivier's uncle, and ends up accidentally becoming his secretary. Edouard is a wealthy and influential man who takes an interest in Bernard's talent as a writer. He encourages him to pursue his passion and even offers him a job as his personal assistant.
Meanwhile, Olivier becomes jealous of Bernard's success and starts to feel left out. He ends up getting entangled with the Comte de Passavant, a manipulative and dangerous man who takes advantage of Olivier's vulnerability and insecurity.
As the story unfolds, the characters are forced to confront the consequences of their actions, and to question their own identities and desires. The film explores themes of love, sexuality, family, and the struggle for self-discovery and acceptance.
The Counterfeiters is a complex and intriguing film that offers a unique glimpse into the social and cultural mores of the 1920s. With its beautiful cinematography and powerful performances, it remains a compelling and thought-provoking work of art.
