The 400 Blows is a classic French New Wave film, directed by François Truffaut, and released in 1959. It is the first in a series of films featuring the character of Antoine Doinel, who is portrayed by Jean-Pierre Léaud.
The film follows Antoine's difficult life in Paris, where he faces a variety of challenges from his family and from the authorities. His parents are neglectful and distant, leaving him to fend for himself and often causing him to skip school. When he is caught stealing, he is sent to a detention center, where he faces further mistreatment and abuse.
Despite these difficulties, Antoine remains optimistic and determined to create a better life for himself. He dreams of running away to the coast, and even goes so far as to steal money from his parents in order to fund his escape. However, his plans are disrupted by a series of setbacks and betrayals, leading to a bleak and uncertain future.
Throughout the film, Truffaut uses a range of innovative techniques to convey Antoine's experiences and emotions. The camera follows him closely, creating a sense of intimacy and immersion in his world. The use of natural light and location shooting gives the film a realistic and documentary-like feel, capturing the often grimy and chaotic streets of Paris.
Overall, The 400 Blows is a powerful and moving portrait of a young boy struggling to find his way in a harsh and unfair world. Truffaut's masterful direction and Léaud's remarkable performance make it a timeless classic of French cinema.