Horrors of Malformed Men is a 1969 Japanese horror film directed by Teruo Ishii, based on the horror stories of Edogawa Rampo. The film is known for its surreal and disturbing visuals, as well as its exploration of themes of identity, madness, and eroticism.
The film's protagonist, Hirosuke, encounters a number of bizarre characters throughout his journey, including the circus performer Midori, who is both his love interest and the first victim of the film's villainous Jogoro. Along with Jogoro's monstrous creations, which include people with extra limbs, webbed fingers, and other deformities, Hirosuke also encounters a group of women who have been transformed into dolls and a cult of worshippers dedicated to Jogoro's vision of a perfect society.
The film's themes of identity and madness are reflected in Hirosuke's journey of self-discovery, as he struggles to understand his own past and reconcile his sense of self with the strange and terrifying world around him. The film's use of eroticism is also prominent, with a number of provocative dance sequences and sexualized imagery that blur the lines between desire and horror.
Overall, Horrors of Malformed Men is a visually stunning and deeply unsettling horror film that delves into the darkest corners of the human psyche. Its exploration of themes of identity, madness, and eroticism make it a deeply thought-provoking and disturbing viewing experience.
